Friday 29 May 2009

Whatever you want

Today, when many people think of Status Quo, they think of Argos. Whatever you want. Yet, when I was growing up, they were one of the leading rock bands of their time, the first band I ever went to see. I can still hear the ringing in my ears thirty four years on. The next time I saw the band I queued up for hours outside the venue, even though I already had a ticket. It was something about the blue denim atmosphere, the flailing hair boogie and all the time in the world. If you shop at Argos you need all the time in the world. I’m at a loss to understand just how this high street brand has stayed the pace, when others, like Woolworth’s, with a longer tradition and a sense of customer loyalty, have not. Back when I was working on the rebranding of Argos earlier this century, there was much talk of moving the retailer out of its comfortable status quo, away from Whatever you want, and towards something a bit more 21st century. Several agencies were forced together for a fission branding exercise that would find this new place to be, this new slogan. We all made our suggestions. I remember one particularly hairy advertising designer flying into a carpet-chewing rage when presented with alternatives to his latest TV ads for Whatever you want. The thing is, as much as they wanted to, nobody could get the rhythm out of their heads. In the end, all that changed was the swoosh of the tail of the S of Argos. It gave the impression of a smile. All still backed up by the good-time boogie of Whatever you want. For the simple reason that Whatever you want was no longer Status Quo, it was Argos. And that was the status quo. The emotional core could not be moved. Not by any logic that said this archaic, time-consuming, Soviet-style ordering, buying and collecting procedure had had its day - a system that had once been the hook, the whole appeal of shopping for everyday items in a different way. But Argos also went online early, whereas Woolworth’s did not. The logistical complexities for both retailers must have been similar. Thousands of hungry suppliers. One coped. The other didn’t. Woolworth’s - a shop where, seemingly, you could also get whatever you wanted. Both brands had this in common. It seemed that you could get whatever you wanted, even though you couldn’t. But Argos reminded consumers that they thought that they could. Whereas Woolworth’s didn’t. So, increasingly, you’d go into Woolworth’s and find all sorts of stuff but nothing you ever wanted; and you wondered what it is they were actually there for…whatever you didn’t want. There is resurrection. But I’m waiting to see what the new online Woolworth’s can offer people that they cannot already get somewhere else from people who have been doing online for years. And what will be the hook? Not the way you buy. Not the range you buy. I’m intrigued. I can’t believe that the reasons business people are resurrecting Woolworth’s online are purely down to a nostalgic belief that this brand should continue to exist. Woolworth’s, it seems to me, is a brand for whom the status quo has changed forever. Anyway, it happens that Status Quo lead guitarist, Francis Rossi, is 60 today. You may remember that, back in March this year, he finally cut off and gave away his trademark ponytail in a competition organised by The Sun. A female 30-year old, ‘long-time’ Status Quo fan won what she had always wanted and could never buy at Argos.


Mark Griffiths www.idealconsulting.co.uk

2 comments:

  1. Mark, I'd have loved to have been at that gig. No not Status Quo, I never liked them (apart from Caroline). The Argos re-brand gig.

    Like you I am surprised by their continued appeal in the UK; apart from online. In years gone by Woolworths was the bazaar into which everything new and exotic (to my eye) would arrive. Including music and electronics, and toys.

    But then came Virgin, Dixons, HMV, Toys are Us and Argos etc.. Woolworths were doomed but lived a half-life for a few years. As for Argos they had the catalogue. I can honestly say that I have spent more time reading Argos catalogues that I have reading Shakespeare or Keats. The catalogue was a bigger bazaar, with more in it - but only in print. The bizarre feature is the crazy purchasing process of queuing, paying and queuing again.

    And now we have online. At last everything is there and you have home delivery too. Its a good job, because why would you choose to go to the shop ? With online its all convenient...except when it isn't.

    In Ireland we have Argos, but no online ordering. Worse still you have to go, queue, pay and then get told its got to come from England and "Can you come back in a couple of weeks". Well the answer would be no if I hadn't already paid! Without online I have no reason for Argos.

    As for a Woolworth revival that seems like a fools errand. What would they revive?

    Just for a laugh the could breath life into those fantastically terrible brands 'Winthronics' and my all time favourite brand mistake 'Elizabthan' - their mid-1970's mark for latest technology audio equipment.

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  2. The catalogue. It was always the catalogue. Why are British people obsessed by catalogues and, in particular, the Argos catalogue? Argos still follows the principle of the catalogue. But, in-store, the experience still feels like queueing for rations. The online offering has saved them, I think. The new owners of the Woolworth's brand are trying to revive it as an online format. Go to www.woolworths.co.uk and see for yourself. As for Status Quo, they're headlining Glastonbury this year. The current situation for guitar bands reminds me of 1976, when all we had was Status Quo and Rory Gallagher and Be-Bop Deluxe. And, headlining at the Reading Festival which I attended: Ted Nugent and Black Oak Arkansas. The Ramones picked up where Status Quo left off (although SQ never really left off). I know you didn't like The Ramones. But, then, I didn't like Sham 69. Whatever you want, whatever you like, whatever you need...

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